Knitnut.net. Watch my life unravel...
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Posted by Zoom! on February 20, 2007, at 7:55 pm |
Okay, this art thing is hard. I seem to be spending a lot of time at it, and making a big mess, but not much artistic achievement has happened yet. I like to think that the art itself is incubating, and will soon spring fully-formed to life. Even though the art is slow, I have to say I’m surprised by how quickly and spontaneously the room has transformed itself into a studio.
Okay, now I’m going to show you some pictures of the art in progress. Please don’t laugh at me.
I did my background layer in scraps of newspaper on an 8×10 canvas, and then did a clear gesso and ochre acrylic layer over it, so the newsprint still shows through.
Then I photoshopped a photo I took last summer. I’m new at photoshop (I’m on the 30-day free trial), so that involved a lot of over-the-top experimentation, which took many many hours of pushing buttons and then selecting “un-do.” I finally got something I liked in a freaky kind of way, and printed a 4×6 photo to use as the focal point of my collage.
Okay, here’s where I hit a wall. I have a book that gives the following simple instructions for transferring an inkjet image to another background.
“Print your image onto photographic-quality paper. Apply a thin, even coat of soft gel medium to the area onto which you want to transfer the image, and place the ink-jet image facedown onto the gel. Using a brayer, apply even pressure to the back of the image, and let it sit for approximately two to three minutes. Test the transfer by pulling back a corner and checking to see if the image has transferred onto the gel. If the image has transferred, continue to peel off the paper.”
THE END. It doesn’t say what to do if the image HASN’T transferred. Which it hasn’t. I assume you’re supposed to give it more time if it hasn’t transferred. Well I’ve given it 24 hours, and it hasn’t transferred. It’s stuck down there pretty good now…even if it were to transfer now, I don’t think I could ever peel the paper off.
I made a second experimental attempt with a different background: a piece of white card stock coated with a layer of gesso. Same result.
Maybe photographic-quality paper and photo paper are not the same thing? I printed the photo on Epson Premium Glossy Photo Paper. Or maybe it really does have to be soft gel medium. I’m using medium gel medium.
Meanwhile, I’ve been digging through my basement finding stuff that could be used for art. I kind of wish I hadn’t decluttered and thrown so much stuff away, because now I want it all back. I want that newspaper from October 3, 1978. I want all those old flyers and ticket stubs and keys and watch faces and magazines and swizzle sticks and broken jewelry. I had excellent clutter.
Still, I have come across LOTS of stuff that I can use. It’s a bit overwhelming, really. I don’t want to use any of the really good one-of-a-kind stuff yet while I’m still experimenting, because so far I’ve just made a mess of everything I’ve used.
I’ve cut some pictures out of magazines and from cards, and I’ve endlessly arranged and re-arranged them on the 8×10 canvas. But it’s just not falling into place, so I haven’t glued anything down yet. Part of my problem is I like some of the newspaper headlines in my background layer, so I don’t want to cover them up. But then it seems like the foreground layer is being arranged around elements in the background layer, which makes it look all wrong.
I did this too, on a 4×6 canvas. It’s a watercolour background, and something will end up on top of it one of these days. I hope. Here’s one possibility for a starting point…I kind of like this.
The problem with art is that the possibilities are endless. That’s what’s slowing me down. I find it hard enough to choose between a finite number of options. Give me an infinite number, and I get lost in the possibilities.
Anyway, when I posted about becoming an artist, I honestly thought I’d be back in a couple of hours to show you my collage. Instead, here I am, days later, showing you pictures of background layers. Since collage is all about layers, the finished product might take awhile. And it might be really crappy. But I’ll post a picture anyway, because fortunately I never said I was going to be good at art.
Posted by Zoom! on February 19, 2007, at 10:06 am |
I’d never been to Bulk Barn before, so I didn’t know it was a candy-lover’s paradise. I bought all my favourite candies and some pot barley. I chided myself later for buying $9.91 worth of candy, but then I reminded myself it wasn’t ALL candy, there was also the pot barley. So what if the pot barley only cost 17 cents? And there were fortune cookies too. I don’t what possessed me. Maybe it’s because it’s the Chinese New Year and this is the Year of the Pig. And speaking of pigs, check out the Pigs Ears. Yummy.
Some people were actually in Bulk Barn with small children. I was dumbfounded. Why would you take a small child into a place like that? God, what were they thinking? There was one little boy about three or four who was having a meltdown. His voice was shaking with desperation as he repeatedly demanded irresistible things and was repeatedly denied them.
“I WANT THAT!” he cried, pointing to a bin of sugar pops.
“No,” said his mother absent-mindedly as she contemplated the bin of salted peanuts.
“I WANT THAT!” he cried desperately, pointing to a bin of Smarties.
“No,” she said.
This went on for awhile, until the poor child was shaking from the frustration of being so close to something he craved, yet so far away from having it. He needed a fix and he needed it bad.
“PLEASE!” he shrieked, “PLEASE!”
The magic word. The word that unlocks the universe for small children. The word that makes adults soften and relent. Unfortunately, it only works until you’ve mastered it, and then it loses its power. This little boy hadn’t completely mastered it, I could tell by the inflection in his voice. It wasn’t a pretty-please-with-sugar-on-top, it was a please-or-I’ll-spit-in-your-face.
See the difference?
“PLEASE!!!!!!”
“Keep your voice down,” his mother admonished him, “You can’t have it. Candy’s bad for you.”
Jesus lady, why did you bring him into a candy department store then? If you weren’t going to let him have any candy, you should have left him tied up outside. Christ. I’m in my 40s and I’d freak out too if I was in here and couldn’t have the licorice cigars and chocolate covered espresso beans. I’m already trembling because I have to wait till I pay for them before I can cram them into my mouth.
Don’t get me wrong – I’m not saying people should give kids everything they want. Believe me, I didn’t overindulge my kid. He looked pretty damned cute as a baby gnawing on a licorice twizzler, so I gave him the odd one of those. But he learned early on that he wouldn’t always get a treat when we went to the corner store. He knew that the candy-flanked check-out line at the grocery store was not a last-minute impulse-buying opportunity. He dealt with it. But did I take him to Candy Land and torture him? No, I did not. Teaching a kid a little self-control is one thing, but you don’t have to be sadistic about it.
Before I left, I shoved one of these into his gaping maw.
Just kidding. I stood back and watched from a safe distance as he went through a full-scale boil, eruption and meltdown. Then I paid for my loot and stepped outside for a licorice cigar.
Posted by Zoom! on February 17, 2007, at 7:15 pm |
Today’s the day I’m going to become an artist.
I’m going about it the same way I tackle every new interest: with unbridled enthusiasm for the research and the acquisition of books and materials, combined with procrastination about actually doing the thing in question.
Last week I visited a gazillion blogs and websites about altered art and collage. I made several trips to the library and ordered all the books at all the branches. I ordered four books from Amazon.ca, but later discovered that they won’t ship for seven weeks because one of them is on backorder, so I ordered three others that were immediately available. So now I have three brand new books, four more brand-new books on the way, three library books in hand, six more library books on hold, and a set of links that would impress a Hungarian sausage-maker.
Today I went to Michael’s to buy my supplies. I made a list last night, because you know how it is if you go in there with only a vague idea of what you need. You end up confused and frazzled and you buy way too much stuff. You get home and you ask yourself questions like “What the hell is Crackle and why did I buy it?”
My Shopping List:
Gel medium
Canvas board
Gesso
Paintbrush
Acrylic paints, including a neutral colour
Watercolour paper
Palette paper
Transfer paper
Elmer’s Glue-All
Estimated cost: $30
Actual Purchases:
Gel medium
13 Canvas boards of varying sizes
Gesso
25 Paintbrushes
20 Foam brushes
Acrylic paints
Watercolour paper
Elmer’s Glue-All
Watercolour cakes
A palette
Actual cost: $131.40
I knew I was in trouble when my arms were full and I went to get a cart. I never get a cart, even at the grocery store, because I need to stay aware of how much my stuff weighs since I don’t have a car. But today I got the cart because some of the canvasses were too unwieldy for a basket.
There were many, many choices to be made at Michael’s. Which paintbrush to get? Which glue? Which paint? I am not known for my rapid decision-making skills. Sometimes, if I can’t decide between two things, I’ll eventually buy both just to get it over with. But that strategy doesn’t work when I am I faced with thousands of paintbrushes. This is only HALF the paintbrush aisle. I’m lucky I only bought 45 of them.
The palette, well, I knew I didn’t really need it, but I thought it was funny. And it was only $1.69.
I wasn’t quite finished: I still needed transfer paper. But there comes a point during every visit to Michael’s when I suddenly hate Michael’s: the endless decisions, the smelly potpourri crap, the ugly seasonal crap, the fake flowers, the crowded aisles, the crafty people, the prices, the whole commercial crafting scam. It can happen in an instant. All of a sudden I’d had enough, I hated Michael’s with all my heart, and I had to get out of there immediately. Fortunately it was a quick trip through the checkout and the nice cashier gave me a coupon for 40% off my most expensive item (the set of acrylic paints).
I crammed as much as I could into my knapsack, but it got full fast, especially since I’d gone to Bulk Barn next door first and done some pre-Michael’s impulse shopping. My knapsack was full and heavy, so I had to carry the rest.
Now here’s a complaint that you short people should be able to relate to. The 16×20 canvasses were put in a big Michael’s bag for me. When I hold a big bag by the handle, it drags on the ground. I don’t mind being short, but they shouldn’t make the bags so damned tall.
I carried the unwieldy bag in my arms so it wouldn’t scrape on the ground, caught the O-Train, and transferred to the #101 bus. The bus dropped me off at the Civic Hospital and I walked the last 15 minutes home. And guess what I found? A fabulous frame, just lying in a snowbank waiting for me. I took it as a sign that I really am supposed to be an artist. I put it on top of my pile and held it in place with my chin. I brought it home and hung it on the wall.
And now here I am, at home, fully equipped with art supplies and instruction books, about to step into my studio and become an artist. But first I need to check my horoscope and eat one of the fortune cookies I impulsively bought at Bulk Barn today.
Horoscope:
Using technology to share your creative and fun-loving side could include chatting on the Internet, downloading music or taking artistic photos. Set the tone for the days ahead by finding something totally different to do now. Whatever you spontaneously try today can inspire you to take it more seriously later on.
Fortune Cookie:
A financial investment will yield returns beyond your wildest hopes.
Hmmm, all the signs are positive, so I guess I’ll go become an artist now. I’ll report back later with a picture of my first creation.
Posted by Zoom! on February 15, 2007, at 7:13 pm |
This morning I woke up, showered, put on my latex glove, cleaned my dog’s tumour, rubbed gel into it, drugged him, fed him, and took him for a walk through the barren, frozen wasteland. Then I took him home, put him inside, said goodbye, locked the door and left for work. I turned to go down the front steps, and what did I see? My dog. On the sidewalk.
I don’t know how he did that, but he did it. I called him. He didn’t come. I whistled. He didn’t come. I took off my mitten and did the hand signal. He didn’t come. He just stood on the sidewalk, with his nose pointing towards the park, looking optimistic.
It was brutally cold, and the wind was whipping at me from all directions, trying to find chinks in my seven-layered armor. I tried going back inside so that he would be eager to come in, but it didn’t work. He just stayed there. I finally had to go get him and half drag him back to the house, which pissed him off. He snarled at me, and I snarled at him. I pushed his recalcitrant butt up the front steps and into the house. We were both pissed off.
Then I locked the door and turned to go down the front steps, and what did I see? The Number 14 bus sailing by. I cursed my dog. But then I heard a kid gasp “OH NO!” as he saw the bus disappearing around the corner two blocks ahead. Did he give up and fume and curse his dog? No. He took off at a run. He was going to catch that bus no matter what. The kid was flying, but I knew there was no way in hell he could catch up with the bus. I trudged through his tracks, rounded the corner: no bus, no kid. The kid did it. He caught the bus. Crazy kid. I should have run too. I might have caught the bus. (Not bloody likely, I told myself, because I was wearing seven layers of clothing and the kid was half-naked.)
But oh well, there I was, wrapped up like a mummy and shivering at the bus stop and trying to turn my back to a wind that was coming from all directions. It was minus 34 with the wind chill. Unless you’re an Emporer Penguin, that’s bone-chillingly cold. I thought about how I ended up living in Ottawa, how my ancestors had shaped my destiny so that I wound up living in the second-coldest capital city in the world. I traced it back one generation: If my mom hadn’t fallen in love with the ship’s skipper when I was seven, we wouldn’t have moved to Ottawa. We’d probably still be living in Montreal. I know it’s cold in Montreal too, but at least they have subways. Subways aren’t windy.
As I waited for the bus, I noticed that my shoulders were up around my ears. It’s an Ottawa thing. We have lousy posture because of the weather. We’re all hunched over, trying to make ourselves a smaller target for the wind, trying to protect our necks from the cold. Our chins are jammed into our chests and our noses are tucked into our scarves. We’re scrunched, hunched and rigid. Our climate has turned us into misshapen freaks. We have pasty complexions too, with dry skin and chapped lips. And we look twice as big as we really are because of all the clothes we have to wear. We have salt stains on our pants, fogged-up glasses and tears and snot running down our faces. Frankly, we look like hell at this time of year. Fortunately we can’t see each other because our twisted Canadian posture forces our gaze downward.
The bus finally came, and I climbed aboard on my icy foot-stumps. My frozen bus pass snapped in half when I opened it to show the driver. The ride was uneventful except that the bus was overcrowded and the driver kept ordering people to move to the back of the bus, and people got grumpy from the diminished personal space, and the bus got stuck behind a transport trailer that spent ten minutes trying to back into the Preston Hardware loading zone on Gladstone Street. I tried to look at the bright side, and I found two bright sides: 1) I wasn’t spending those ten minutes outside waiting for the late bus, and 2) my frozen stumps were getting some extra thawing time before I had to get off the bus to walk the last nine blocks to work. It wasn’t much, but it made me feel marginally better.
I spent the first half hour at work sitting on the radiator, rubbing my frozen stumps and drinking hot coffee. At lunchtime I decided to stay in the office and starve rather than go outside and freeze. I sustained myself with caramels from the communal candy dish. The day passed slowly.
At 4:00 I walked the nine gusty frigid blocks to the bus stop, and I was almost at Gladstone and Bank when I saw the Number 14 sail through the intersection. I almost resigned myself to having missed it, but then the image of the half-naked boy inspired me, and I ran like hell. I flew. And you know what? I caught up with the bus! I even got a seat!
So my day ended on a higher note than it started on. Tomorrow’s going to be even better, because I cheered myself up today by booking tomorrow off so I could spare myself the ordeal of commuting.
Posted by Zoom! on February 11, 2007, at 10:56 pm |
My herbs and spices have been a minor source of despair for years. If I run out of things to despair over, there’s always the herbs and spices.
They’re messy and cluttered and no spice rack is big enough to hold them all. You’re supposed to keep herbs and spices in a cool, dark, dry place so they’ll retain their flavour but there are no cool dark dry places in any kitchen I’ve ever had. I swear I have some spices in my collection that are older than my child, but I don’t know which ones. Sometimes I just feel like throwing them all out and starting over.
Most of the time I don’t even think about them, let alone anguish over them, because they’re all crammed in an overflowing plastic basket in a kitchen cabinet: I subscribe to the “out of sight, out of mind” school of housework. But then I’ll see a recipe that calls for a particular spice and I can’t remember if I have that one, and I can’t bear to go rooting through my herbal chaos, so I end up buying another one. I have three bottles of cumin (so far).
Recently I stumbled across Amber, whose blog is called Aim True, and she has invented the most brilliant, useful and EASY craft ever: a DIY magnetic spice rack.
You only need three things: a set of watchmaker’s cases from Lee Valley Tools ($9 for 15 of them), a tube of glue (I used the silicon sealer I got at Michael’s), and some good strong cheap magnets (I got 50 at Michael’s for about $6 I think).
You simply glue a magnet to the bottom of each watchmaker’s case, let it sit overnight, then fill each case with a herb or spice and jot down its name on the back of the case. Stick ’em on your fridge and Bob’s your uncle. (Or, you can do what Amber did and buy a few magnetic knife racks, attach ’em to the wall and stick your spice holders on there.) I swear to God, nothing can go wrong. It is FOOL-PROOF. And it only takes about 10 minutes to make.
So here’s my fridge, with my 15 magnetic spice holders on it. Is that not amazing? (By the way, in case you’re wondering, I don’t know that fat, crabby naked guy on my fridge. The National Gallery sent him to me. It’s an invitation to something.)
Oh, and here’s another handy spice tip for you: Coriander seeds are excellent in soups. Toss a handful into any homemade soup, and you get these wonderful crunchy little flavour bursts. Whoever invented coriander seeds was a culinary genius.
Posted by Zoom! on February 10, 2007, at 3:51 pm |
Stuart’s off to see the world again – Thailand, Australia, and then wherever else his serendipitous path takes him – so we had one final weekly barbecue last night.
For awhile it was just Stuart and the girls – Zita, Ruth, Mary Jane, Julie and me – but then TC showed up. For awhile. Before he dozed off, he had some wise words about the food chain, but I forget what they were. I knew I should have written them down.
Speaking of the food chain, I can’t believe I ate this:
This is Stuart administering last rites.
This is what the poor lobster looked like after it was boiled alive in a giant stockpot with a bunch of its buddies. Julie, by the way, somehow managed to accidentally sit on the giant steaming stockpot on the porch, but I wasn’t quick enough with the camera to catch that. (Hope your bum’s okay today Julie.)
We also had potatoes, barbecued beef, chicken satay, green and white asparagus and french bread. And wine. Lots of wine. (Which might explain why I arrived home with two scarves and no mittens last night, and why I’ve got a bit of a thumper today.)
Mary Jane is a Seed Analyst, and she brought something for show and tell.
These are 30-year-old wild oat seeds, and Mary Jane sowed her wild oats right there in front of us!
All in all it was a most excellent evening, despite the carnage.
Update: Stuart got his brand new shiny blog up and running, so we can all live vicariously through him as he travels around the world.
Posted by zoom! on February 9, 2007, at 11:14 am |
Yesterday I walked from my office to my home, a journey of 8,177 steps according to the pedometer I borrowed from the Ottawa Public Library. The 75 minutes passed quickly because I was plugged into my iPod. (I found the iPod lying on the street months ago; I put up signs, but nobody ever claimed it, so now it’s mine. After replacing all the former owner’s hip-hop and rap with my own eclectic favourites, I was ready to go.)
It’s kind of weird how much music can affect your mood. First up: Vivaldi’s Spring, then Janis Joplin’s Summertime. Great evocative tunes, both of them, and good choices for a frosty winter day.
Then suddenly the iPod exploded into The Twist! Remember The Twist craze? Dancing the Twist was described like this: “It’s like putting out a cigarette with both feet, and wiping your bottom with a towel, to the beat of the music.”
One of my all-time favourite childhood memories is doing the Twist with my mom and my sister in the living room with Chubby Checker cranked up high on the hi-fi record player. I was six, Deb was seven, mom was 24. The record would end and we’d start it over again. We worked ourselves into a dancing FRENZY.
The Twist kicked my mood up a couple of notches, and then Sugar Sugar by the Archies came on, and that has GOT to be the catchiest little tune ever written.
Did you know that the Archies didn’t really exist? They were like Alvin and the Chipmunks, kind of a pop-culture comic-book band. Most of their records were distributed on the backs of cereal boxes. No kidding. You just cut the cardboard record from the back of the cereal box and played it on your record player. Not great for the needle, but oh my god, every 10 year old in the entire universe knew all the words to Sugar Sugar.
The lyrics are so dumb: “Sugar Sugar, you are my candy girl, and you got me wanting you. I just can’t believe the loveliness of loving you, I just can’t believe it’s true…” but that song makes me so crazy happy. There’s something about it: whenever I hear it, my mood soars and I get an instant 1969 Sugar Sugar rush.
At this point in my walk – somewhere around the 2,800 step mark – I was so insanely happy it was all I could do not to burst into song and start dancing through Chinatown. (But then Buddy Guy came along with his rendition of “Done Got Old” and that brought me back down to normal again.) (Note to self: delete Buddy)
By the way, don’t you think it’s funny that sound systems used to be furniture, but now we can carry our sound system and all our music in one pocket?
Posted by Zoom! on February 6, 2007, at 8:51 pm |
Lately I’ve been having the Laid-Off dream a lot. It’s a pretty common dream theme, like the Naked in Public dream, or the Oh God I’m Pregnant dream, or the I Forgot to Study for the Exam dream, or the I Absolutely Have to Get Somewhere But All the Buses are Going the Wrong Way dream (oh wait, that’s not a dream, that’s OC Transpo reality.)
But the Laid-Off dream has been the one plaguing me lately. Suddenly I’m jobless, which would be okay except for the income-less part, and nobody else will ever hire me and I won’t be able to pay the mortgage and the hounds of Hell will be howling at my door. It usually ends with me waking up and realizing Phew, it was only a dream. But the other night it ended with me actually getting a new job as a cowboy in eastern Nova Scotia. (Nova Scotia I can understand, but I haven’t wanted to be a cowboy since I was nine. Still, I’ll take what I can get.)
The Laid-Off dream, especially when it gets to recurring status, tends to get me thinking about what I would do if I actually did get laid off. I’ve worked for the same employer since 1991. Sometimes I feel that we’ve melded together over the years, like that morbidly obese woman and her couch.
Would I stay in my field, or would I take a stab at something completely different?
I’d love to be an artist. It’s totally impractical, not only because it’s no coincidence that the words ‘starving’ and ‘artist’ so often appear together, but because I possess a truly astonishing lack of artistic talent. The average seven-year-old draws better than I do, and I’m not kidding.
I’d give my right arm eye teeth for artistic talent. I would love to possess that magical ability to draw what I see and create what I imagine.
So I started thinking: surely there are forms of art that don’t require artistic ability, or that at least don’t require any ability to draw or paint or produce anything with any resemblance to anything. I mean really, why should I let my lack of artistic talent stand in the way of my dream of being an artist?
I started looking at various art forms, in the hopes of finding my artistic niche. And I found something! Collage and altered art. You just create new things by combining things that already exist.
Further explorations led me to this: The Collage Machine. I played with it on Sunday afternoon, and look what I made.
Then I got really creative and aged it, just because I know how.
You’d never suspect I have no artistic talent after looking at those, right? And that’s just my very first effort. Soon I’m going to graduate to scissors and paste. (But first I have to glue my table leg back together, so I’ll have a surface to work on. I read somewhere that a working surface is essential to any artist.)
Anyway. I am a researcher at heart, and I’ve really been digging deep on this one. I’ve discovered there’s a whole art form called Altered Books. It’s bizarre, but I love it. You take a hardcover book, glue all the pages together in clumps of ten, then create collage-type art on both sides of each of the resulting ‘boards’. You can combine any kind of materials you like – Scrabble tiles, feathers, photos, words, insects, fabric, anything. Here are some examples.
So. I’m going to be an Altered Book artist, and nobody will ever know I can’t draw (except you, of course). I’m going to start as soon as I fix my table. I might even be so wildly successful at it, I’ll have no choice but to quit my job before they can lay me off.
Posted by Zoom! on February 3, 2007, at 4:23 pm |
I attempted to do my civic duty as a responsible member of the blogging community today by voting in the Seventh Annual Weblog Awards (aka The 2007 Bloggies).
The contest consists of 30 categories of blogs, with five finalists in each category. That’s 150 blogs. I visited a LOT of them.
As I visited each blog in each category of interest (I admit I skipped a few, like Best Sports Weblog, and Best Computers or Technology Weblog and Best Teen Weblog), I kept a list of my favourites so I wouldn’t forget which ones to vote for. (My short-term memory works much better when I write things down, which of course then renders the written notes unnecessary, but oh well.)
Finally, with my list in hand, I scrolled around the site looking for the ballot. It turns out I should have written down the contest date, because voting ended YESTERDAY, damn it. Who holds an election on Groundhog Day? Don’t they know people are too busy celebrating to vote?
(But all is not lost. I did add a few of my favourites to the links over there in the sidebar.)
Posted by Zoom! on February 1, 2007, at 4:56 pm |
My family actually celebrates Groundhog Day. That’s because my mom used to be the Groundhog Lady of Ottawa. For about ten years, she adopted orphaned baby groundhogs from the Ottawa Wildlife Coalition and took care of them all summer until they were ready to be set free.
She fed them first with eye-droppers, then with baby bottles, and then they’d graduate to dandelion shoots and fruits and vegetables. They lived in a cage in the house until they were ready to move into the Groundhog Hilton, which was a huge groundhog hotel right beside the cottage, with hiding spots and tunnels and ladders and toys.
Even after they moved to the Groundhog Hilton, they were allowed into the cottage each day to play. They’d chase each other around and climb to the things they wanted, like the bananas in the hanging basket. They’d come when they were called. They all had names – I can’t remember them all, but there was a big fat one named Walter. She even had an albino groundhog.
You might not know this, but groundhogs are cuddly and they make noises. This is what they say: chugachoo.
Most groundhogs are orphaned in May or June, and there are usually three in a litter. When they were full-grown and healthy, usually in September, she’d drive around looking for somewhere good to release them: somewhere a groundhog would be happy, but not in the city, not in a farmer’s field, and not too close to a highway (groundhogs are notorious for not looking both ways).
After she released them, she’d visit them for a few days to see how they were doing. She’d call them, and they’d come running, squealing “chugachoo, chugachoo, chugachoo.” She’d talk to them and cuddle them and give them some dandelions, and then she’d be on her way.
I bet my mom has more photographs of groundhogs than she has of her grandchildren. But I don’t think there are any digital ones, since all this took place in the 80s and 90s. All these photos are of other people’s groundhogs.
My mom raised orphaned baby groundhogs every year until she fell in love with the Norwegian in Swaziland.
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